Titanic the Musical Audition Information is down below past Shrek Jr. info.

  • Shrek Jr. will be cast with performers who are in Kindergarten-12th Grade (18 years old and under). Each cast member will be paid a $100 stipend.
  • Performances are February 16-25, 2018 on the weekends, as well as 4 performances at Eagleview Town Center in the Summer (dates TBD).
  • Each cast member will be required to attend every tech/dress rehearsal (Feb 11-15) and all performances and strike.
  • Regular rehearsals will be scheduled on Sunday afternoons, Monday evenings, and Wednesday evenings, with a couple rehearsals to kick things off in November/December before the holidays and the rest in January/February. Not every cast members will be required to come to every rehearsal. There will be a schedule based on roles and scenes.
  • Auditions will take place on Saturday, November 11, 2017. 
  • After filling out and submitting the above Audition Form, go to our Sign-Up Genius to register for a time slot.
  • You will need to prepare 32 measures of any Broadway song to sing with a live accompanist (bring sheet music in a binder clearly marked with your cuts), and a memorized monologue no more than 60 seconds in length to be performed with an accent or a fun character voice unlike your regular speaking voice (just try your best and have fun with it). 
  • Callbacks will take place on Sunday, November 12.
  • Seeking to fill the following roles:

    Storytellers:  Wonderful roles for performers with natural stage presence and big, clear voices. These characters are important for setting up the world and moving the story forward; looking for bold, energetic young actors. Gender: Both
    Shrek:  He may be a big, scary, green ogre to the rest of the world, but as the story reveals, he's really just a big fellow with a big heart. Seeking a solid singer, but most importantly, an excellent actor with comedic chops. Gender: Male
    Fiona:  She may appear to be an ideal princess straight from the fairy tale books, but there is more to her than that stereotypical image. She is an audacious young lady with a wonderful sense of humor and - surprisingly - manners akin to those of a teenage boy. This needs to be a girl who can do it all: act, sing and dance. This is a premiere role for an experienced performer with a loveable spirit. Gender: Female
    Young Fiona: Young Fiona is a younger version of Fiona and needs to have a solid singing voice. Gender: Female
    Teen Fiona: Teen Fiona is also a younger version of Fiona and needs to have a solid singing voice. Gender: Female
    Lord Farquaad:  A very short man with gargantuan ambition! He is solely interested in gaining as much power as possible. Seeking a good singer, but most importantly, a comedian who isn't afraid of making bold choices or looking silly. Gender: Male
    Donkey:  A brash, loud, fast-talking animal with no concept of "quiet time." Seeking an experienced performer who can sing well and has a whole lot of presence and character. This will be a performer who complements Shrek well as his loyal and ever-faithful sidekick. Gender: Male
    Dragon: A girl with a lot of soul and spunk. She is a ferocious fire-breathing dragon but finds a surprising love in Donkey. Seeking a performer who has tremendous presence and a good pop singing voice. Gender: Female
    Mama Ogre: Good role with Papa Ogre, a dynamic duo that kick off the show with a lot of energy and presence. Must be good singer. Gender: Female. Vocal range top: C5  Vocal range bottom: A3
    Papa Ogre:  Good role with Mama Ogre, a dynamic duo that kick off the show with a lot of energy and presence. Must be good singer. Gender: Male. Vocal range top: E4 Vocal range bottom: C3
    Little Ogre: A role just right for a smaller, younger performer. He may not have lines but he is very important to the storytelling. Gender: Both
    Pinocchio:  The wooden boy who cannot tell a lie without being belied by his growing nose. Pinocchio begins in a sour mood about his second-class status but ends the story as a natural leader among the Fairy Tale Creatures. A performer with a lot of personality who can sing well. Gender: Male
    The Three Little Pigs:  Pig 1, Pig 2 And Pig 3. The classic three little pigs with a German twist. It isn't necessary that they look as identical as possible; they are a fun and dynamic trio. Gender: Both
    Ugly Duckling:  He may be bitter about his unfortunate appearance, but he does find camaraderie among his fellow fairy tale outcasts. This is a fun comedic role. Gender: Male
    The Three Bears:  Mama Bear, Papa Bear, and Baby Bear. Great cameo roles who sing. Gender: Both. Vocal range top: C4. Vocal range bottom: D3
    Wicked Witch: A character actress with a big personality. Gender: Female
    Big Bad Wolf:  He doesn't need to be a scary, threatening big-bad-wolf type. At this point, he's a pretty tame wolf who is reduced to wearing Little Red Ridinghood's grandmother's dressing gown. A fun role. Gender: Both
    Gingy: A great cameo role for a young performer who is as earnest as can be. Gingy is based on the Gingerbread Man who runs away like a fugitive from his baking captors. Need a performer with great energy. Gender: Both
    Peter Pan:  The boy who never grew up, and he continues to act the part in this story. Seeking a performer who will have fun physicalizing the character. Gender: Both
    Captain Of The Guard: Seeking an actor with some inherent strength and authority with a big, booming voice and who isn't scared to put all the Fairy Tale Creatures in their place. Gender: Both
    Knights:  The Dragon's background singers who all tried at some point to save Fiona from her tower but were held hostage by the Dragon. Seeking performers who can sing well and have some soul just like the Dragon. Gender: Both
    Dwarf:  Farquaad's comparably short and grumpy father. A great cameo role. Gender: Male
    Ensemble:  The Fairy Tale Creatures make up the heart of the show. These characters are taken from the story books but have a bit of a comedic twist. Seeking a diverse group of kids with lots of personality and different strengths. These performers should be proficient singers but most importantly, great actors. Other standout ensemble roles include : The Guards, Duloc Performers, Puss in Boots, Rooster, Pied Piper, Rats and the Bishop. Ensemble roles like Birds, Trees, Deer, Woodland Creatures and Fairy Tale Creatures help make up the backbone of the musical. Gender: Both

  • Titanic performances will be April 13-29, 2018 on the weekends. 
  • Each cast member will be paid a $200 stipend and is required to attend all tech/dress rehearsals (April 8-12, 2018), as well as every performance and strike.
  • Regular rehearsals will begin in January and will be scheduled on Sunday evenings, Tuesday evenings, and some Wednesday evenings. There will likely be a read-through scheduled before the holidays to kick things off.
  • Auditions will take place on December 5 & 6, 2017 with Callbacks by invitation only on December 7, 2017.
  • Fill out and submit the above Audition Form and then sign up for an audition time slot via our Sign Up Genius. Please let us know on the form if you can do any accents or play musical instruments (not required but a great benefit)!
  • For Auditions, please prepare 32 measures each of 2 Broadway songs (a ballad and an uptempo). One song needs to be from the show, and the other needs to NOT be from the show. Bring sheet music in a binder clearly marked with the cuts for our accompanist. You will be portraying real passengers who boarded and sailed on the Titanic. The director will be looking for honesty and vulnerability in your emotions both when you are speaking and singing! Pick songs that you feel really show us your emotional range. Also, we would love for you to introduce your song selections to us in an accent, as the show entails British, Irish, German, and Scottish (YouTube is a great resource for accent-training-videos), but don't let that stop you as there are American-accent roles, too. You may be asked to do a cold reading on the spot. Callbacks will entail a dance audition, singing selections from the show, and script readings. Materials for callbacks will be provided by the Production Staff.
  • We are seeking to fill the following roles:


Thomas Andrews — the ship’s designer and builder, late 30’s
J. Bruce Ismay — the ship’s owner, late 40’s, fastidiously dressed, dark hair and moustache
E.J. Smith — captain of the Titanic, grey-bearded
Murdoch — first officer; doubles as 2nd-Class Passenger, a Scotsman, 39
Harold Bride — radioman
Frederick Barrett — stoker, 24
Frederick Fleet — lookout; doubles as 1st-Class Passenger & 2nd-Class Passenger
Henry Etches — senior 1st-Class Steward; doubles as 3rd-Class Steward; 50
Joseph Bell — chief engineer, doubles as bandmaster Wallace Hartley & 3rd-Class Passenger
Isidor Straus — 1st-Class Passenger; doubles as 3rd-Class Passenger; late 60’s
Ida Straus — Mrs. Isidor Straus; doubles as 3rd-Class Passenger
Alice Beane — 2nd-Class passenger
Kate McGowan — a young Irish girl

Officers & Crew

Lightoller — second officer; doubles as 2nd-Class Passenger, 38
Pitman — third officer; doubles as The Major & Fourth Man; 32
Boxhall — fourth officer; doubles as Taylor, Rogers & 3rd-Class Passenger; 28
Hitchens — quartermaster; doubles as Bricoux & 3rd-Class Passenger, a Cornishman, 23
Bellboy — doubles as 3rd-Class Passenger

First-Class Passengers

(all double as 3rd-Class Passengers)

John Jacob Astor, 47
Madeleine Astor, 19 — the very young Mrs. Astor
Benjamin Guggenheim — an American millionaire
Mme. Aubert — Guggenheim’s French mistress
John B. Thayer
Marion Thayer — John’s wife
Jack Thayer — their nine-year-old son
George Widener — doubles as Carlson
Eleanor Widener — George’s wife
Charlotte Cardoza, a handsome woman in her 40’s
Edith Corse Evans — doubles as 2nd-Class Passenger
J.H. Rogers — doubles as Boxhall, a bespectacled American in his 40’s
The Major — doubles as Pitman

Second-Class Passengers

Alice Beane – middle-aged, American with middle-west accent
Edgar Beane — husband of Alice
Charles Clark — young, British and middle-class
Caroline Neville — young, British and aristocratic

Third-Class Passengers

(all double as 1st-Class Passengers)

Jim Farrell, a handsome Irishman
The Three Kates – young Irish girls
Kate McGowan
Kate Mullins
Kate Murphey


Frank Carlson — an American on shore; doubles as Widener
Andrew Latimer — steward in First Class
Stewardess Robinson
Stewardess Hutchinson
The DaMicos — professional dancers
Wallace Hartley – bandmaster (doubles as Bell)
Taylor — bandsman; doubles as Boxhall
Bricoux — bandsman; doubles as Hitchens
Stewards — for all three Classes
Additional 1st-Class Passengers [Fleet, Farrell, McGowan, Mullins and Murphey]
Additional 2nd-Class Passengers [Murdoch, Lightoller, Fleet and Edith
First Man — from 3rd Class; doubles as Thayer
Second Man — from 3rd Class; doubles as Widener
Third Man — from 3rd Class; doubles as Guggenheim
Fourth Man — from 3rd Class; doubles as Pitman
German Man — from 3rd Class; doubles as Isidor
Italian Couple — from 3rd Class; double as Mr. & Mrs. Astor
Additional 3rd-Class Passengers [Boxhall, Hitchens, Bell, Bellboy, Ida, Aubert, Marion, Jack, Eleanor, Cardoza and Edith]

The original Broadway production had a cast of 37 performers, including chorus. Doubling was employed in almost all parts, and we will seek to do the same.